How the 2 Sides of Lisa D’Amour Are Fused in ‘Frozen Section’
Her new play at the Catastrophic Theatre draws on both the experimental sensibility of PearlDamour and on the unsettled naturalism of ‘Detroit.’
Her new play at the Catastrophic Theatre draws on both the experimental sensibility of PearlDamour and on the unsettled naturalism of ‘Detroit.’
This episode features a chat on the stage of Manhattan Theatre Club with playwright Jonathan Spector, and a check-in with Seattle Times arts writer Gemma Wilson.
A roundup of prizes, fellowships, and other recognitions.
Youth discount tickets aren’t just about filling houses now but about creating lifelong theatregoers and donors.
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.
The writer of ‘Jaja’s African Hair Braiding’ talks about her process, her curiosity about characters, and her play’s heartening success.
The fellowship includes a new-play commission, a living allowance, access to office and rehearsal space, a ticket stipend, and a developmental workshop.
Jennings comes to MTC after 19 seasons at Shakespeare Theatre Company in D.C.
He will remain in his role as artistic director of the Young Vic in London while advising on MTC’s programming and future planning.
The company’s 5-decade journey from Off-Off-Broadway outlier to Broadway powerhouse has been steered all along by the same 2 leaders.