This Month in Theatre History
A begrudging Pulitzer, a court case turned theatre (twice over), an award-winning life story, and a world premiere.
A begrudging Pulitzer, a court case turned theatre (twice over), an award-winning life story, and a world premiere.
From early-1900s Florida to 1930s-era Seattle, theatremakers both practical and idealistic clocked some milestones.
A forgotten chapter of mid-20th-century theatre history is about to be restored, as ‘The Sign in Sidney Brustein’s Window’ is restaged in Seattle and Brooklyn.
Lorraine Hansberry’s long-awaited sophomore effort was greeted coolly, even confusedly, in 1964, but ambivalence—about art, activism, and their fraught intersection—has always been in the play’s DNA.
For her first stage role in a while, the ‘Mrs. Maisel’ actor is ready to embrace the role of another imperfect but lovable woman performer in a rocky marriage.
This busy writer-director, known for new works, is now staging ‘A Raisin in the Sun’ at the Public, but it’s more a case of continuing a legacy of Black iconoclasm than a new career phase.
The recent unveiling of Alison Saar’s sculpture ‘To Sit A While’ kicked off a national tour to raise awareness of this great American writer and the many who follow in the path she paved.
The initiative will honor the pioneering playwright’s legacy with a touring statue and support for the work of multiple female/non-binary playwrights of color.
In riffing on works by Arthur Miller and Lorraine Hansberry, 3 new plays by Kimberly Belflower, Kelundra Smith, and Eleanor Burgess alternately explore and explode what was missing from the originals.
In this excerpt from a new biography, playwright Lorraine Hansberry crosses paths with the director who would help to shape her iconic play.