The Subtext: Jonathan Payne and the Sea of Stories
This month Brian speaks with the playwright about striving to write one play a year and drawing inspiration from various roles and identities.
This month Brian speaks with the playwright about striving to write one play a year and drawing inspiration from various roles and identities.
Now in its fifth year, this digital festival marks the first cross-theatre partnership and will be available to stream starting Nov. 18.
Artists and industry leaders will convene in New Haven, Conn. to discuss the future of theatre and its vital importance to expression, equity, and democracy.
How a cohort of artistic directors of color, recently hired at major U.S. theatres, have confronted unforeseen upheavals.
Keen Company’s roving production of Joan Didion’s mourning memoir makes a good fit for Long Wharf’s itinerant programming agenda.
The partnership will grant paid internship opportunities to SCSU students.
Readers respond to a review of a book about making it bleed onstage, and a theatre leader takes issue with a recent report on a necessarily changing field.
What does it mean for a venerable 57-year-old regional theatre to become itinerant? The answer matters beyond New Haven.
The itinerant experiment at Long Wharf Theatre can be a model for other theatres that have lost connection with their communities.
From ‘In Love and Warcraft’ to ‘Queen,’ she’s one of the theatre’s busiest and most versatile playwrights, though her success has come with its share of pain and disillusionment.