The Personal Is Political in Ayad Akhtar’s ‘Disgraced’
The Pulitzer Prize-winning playwright and author talks about unsettling his audience and repainting the Muslim image in the West.
The Pulitzer Prize-winning playwright and author talks about unsettling his audience and repainting the Muslim image in the West.
Whether brainy or gutsy, Mimi Lien’s sets are arresting architectural formations in space.
A retrospective, with images, on the work of set designer Ming Cho Lee.
Director Shawn Sides and set designer Mimi Lien talk about the design concept for their show at Lincoln Center Theater in New York City.
Commercial and not-for-profit theatres can’t do without each other, but hooking up can be as profitable as it is problematic.
Gordon Cox examines the complicated relationships between commercial and not-for-profit theatres
The Austin-based ensemble brings their latest show ‘Stop Hitting Yourself,’ inspired by the provocative novelist, to Lincoln Center Theater.
In his new play ‘Somewhere,’ the playwright revisits family history to tell a forgotten New York story.
Memory holds the key to playwright Christopher Shinn’s resonant dramas of the psyche.
Entrances and exits from American Theatre’s October 2012 issue.