‘Tommy,’ Can You Hear Me? I’m Not Gonna Take It
From its casting to its staging, the acclaimed new Broadway revival of the iconic rock musical misses opportunities to engage with, and subvert, harmful tropes around Deafness and disability.
From its casting to its staging, the acclaimed new Broadway revival of the iconic rock musical misses opportunities to engage with, and subvert, harmful tropes around Deafness and disability.
The agreement comes after 6 days of in-person bargaining and multiple sessions on Zoom.
Grassi replaces long-time counsel Harry Weintraub.
The ecosystem of the American theatre field is characterized by mobility as well as mentorship.
For the past century, the state theatre of California has been a star factory and hub for entertainment.
An experienced managing director, Bielstein succeeds Timothy Shields as leader of the resident theatre league.
With 20 major American theatres facing leadership transitions, boards and search firms have to do better than the status quo.
The theatre in Portland, Ore., joins the organization for national profile—and local leadership on wages.
From the first American theatre star to the creation of LORT to all-female Shakespeare, this month in years past had many theatrical milestones.
Equity and LORT to spar again on labor issues.