Chicago Theatre’s Phoenix Era
During a difficult time in Chicago theatre, we look at the current struggles of local theatres and the promise of theatre sustaining moving forward.
During a difficult time in Chicago theatre, we look at the current struggles of local theatres and the promise of theatre sustaining moving forward.
After stepping down from the helm of the Chicago theatre he ran for 36 years, he’s directing—what else?—Chekhov’s ‘The Cherry Orchard.’
In ‘the ripple, the wave that carried me home,’ next playing at Kansas City Rep and Yale Rep, this busy playwright pens another piece inspired by history.
Lorraine Hansberry’s long-awaited sophomore effort was greeted coolly, even confusedly, in 1964, but ambivalence—about art, activism, and their fraught intersection—has always been in the play’s DNA.
The festival will feature work from playwrights Donja R. Love, Charlie Oh, Omer Abbas Salem, Gina Femia, Nancy García Loza, and Jeffrey Lieber.
Gearing up for their 6th collaboration at the Goodman, the playwright and director reflect on an artistic partnership that has spanned 25 years.
She succeeds Robert Falls at the company where she once worked as director of new-play development, after 21 years leading Atlanta’s biggest nonprofit theatre.
July features the founding of a few illustrious theatrical organizations, a turn on the burlesque business wheel, a Sam Shepard classic in the remaking, and a powerful advocate for Latino playwrights.
Falls, who has led the company for 35 years, will plan the 2022-23 season before departing Chicago’s oldest nonprofit theatre.
After more than a year of uncertainty and some hopeful planning, some theatres’ aspirations for a fall return are crashing into a fresh COVID surge.