Conor McPherson Searches for God in ‘The Night Alive’
The Irish playwright talks about the ‘supernaturalism of the everyday,’ and about structure and ghosts and Dickens.
The Irish playwright talks about the ‘supernaturalism of the everyday,’ and about structure and ghosts and Dickens.
From Beethoven to Irving Berlin, the versatile polymath has built a repertoire of solo shows about the lives and work of great musicians.
An interview with the playwright about her play ‘The Jacksonian.’
From St. Ann’s new roof, to the L.A. Stage Alliance move, here’s the month in national news.
Move over, Ebenezer. U.S. theatres are hatching audience-pleasing alternatives to Dickens—and they want those shows to become seasonal traditions, too.
Calling all dramaturgs, one-time dramaturgs, would-be dramaturgs! What production in the coming season have you heard about that you wish you were working on as a dramaturg? What is it about this show that afflicts you with dramaturgical envy?
The class struggle in David Lindsay-Abaire’s ‘Good People’ may be even more relevant now than it was when the play premiered 3 years ago.
A chat with the busy actor, now appearing in Beth Henley’s ‘The Jacksonian’ at the Geffen Playhouse.