What We Owe the Dead
A poet/playwright reflects on the disturbing, arresting lessons of the Greek plays she’s wrestled with for much of her career.
A poet/playwright reflects on the disturbing, arresting lessons of the Greek plays she’s wrestled with for much of her career.
Doing ‘Medea’ put her in touch with emotions she usually avoids, but as she learned, there can be great bliss in the release of rage.
The world’s oldest plays continue in our time to be staged, restaged, mulled over, written about. What accounts for their enduring fascination?