Borne Back Ceaselessly Into ‘The Great Gatsby’
With so many adaptations, including the return of Elevator Repair Service’s ‘GATZ,’ are artists reinventing a classic—or destined to repeat the errors of the past?
With so many adaptations, including the return of Elevator Repair Service’s ‘GATZ,’ are artists reinventing a classic—or destined to repeat the errors of the past?
How to build support for parent artists at U.S. theatres? First let’s build a movement.
Awards for Black Rep’s Ron Himes and Ten Thousand Things’ Michelle Hensley, and Jer Thorp’s ‘data humanism.’
In trying to fix one of Shakespeare’s problem plays, did we create a new race issue? A fair note, but here’s the backstory.
Given the chance to play Claudio as a black man, neither I nor our production took the racial implications lightly.
A make-it-new trend gains currency with audiences and academia.
The crushing homogeneity of theatre criticism means it’s missing crucial perspectives—and its relevance to readers.
Most actors methodically warm up for emotionally draining performances. But what do they do to recoup reality?
The artist-run performance laboratory will develop and produce cross-disciplinary performances once again.
The experimental theatremaker takes her cues from the natural world, the subconscious, and feminist thought in her genre-defining works.