Thinking About Writing About Thinking About New Plays
Or, how visual arts audiences got comfortable with radical innovation, while theatre audiences didn’t.
Or, how visual arts audiences got comfortable with radical innovation, while theatre audiences didn’t.
An interview with Robert Brustein and Frank Rich.
Jack Viertel goes from daily critic to in-house dramaturg at L.A.’s flagship theatre.
Jan Kott writes about the exchange between life and drama so artfully that it sometimes appears that history and literature have performed his critical tasks for him.
The pleasures of both Stanley Kauffman’s ‘Theatre Criticisms’ and Bonnie Marranca’s ‘Theatre Writings.’
A new collection of criticism ranges from infuriating to perceptive, banal to brilliant.
Imagining a courtroom argument against, and a case for, fair and honest criticism.