5 Things Theatre Criticism Taught Me About Playwriting
Our managing editor reflects on how the skills she picked up doing arts journalism inform her approach to storytelling in another medium.
Our managing editor reflects on how the skills she picked up doing arts journalism inform her approach to storytelling in another medium.
The Washington Post’s next theatre critic is excited to dive into a scene that’s new to him and to continue covering an industry in flux.
A lively and perceptive watcher and thinker, she helped generations of artists and critics view theatre as a kind of space and time travel.
Applications for the new program, designed to mentor early-career and aspiring critics in the region, are now open through July 15.
Even with arts journalism jobs in decline, emerging theatre critics keep training and finding new outlets for their voices.
Looking back on his 21 years as the lead theatre critic in the nation’s capital, he says he most cherishes the light he was able to shine on shows, artists, and companies.
Peter Marks’s departure from the Washington Post is only the latest sign that too many of us have taken the importance of reviews for granted for too long.
Her specialties have been performance theory, European theatre and cultural history, transformative aesthetics, and performances of Greek tragedies since 1800.
Co-lead theatre critics at New York magazine/Vulture, they make the case that 2 heads are better than 1, especially covering a field in flux.
Every April for decades, producers, theatre mavens, and critics would gather to binge new plays at the Festival of New American Plays. But not this April.