What We Lost and Learned
The last 2 years forced us to face fundamental uncertainty and loss, and that’s a gift that will keep on giving.
The last 2 years forced us to face fundamental uncertainty and loss, and that’s a gift that will keep on giving.
How Lloyd Suh’s ‘The Chinese Lady’ made it through 2 years of pandemic, protest, and anti-Asian hate to emerge as the nation’s most-produced and possibly most essential play.
The work of understudies, standbys, and swings is always exhausting and show-saving, but it took a pandemic to get most audiences and even the industry to recognize their value.
The Creatives Rebuild initiative provides either guaranteed income or employment funding for artists and arts institutions across New York State.
No, it’s not March 2020 all over again, but the latest COVID-19 variant has theatres struggling with some familiar dilemmas of safety and scheduling.
The legendary training program will continue its conservatory and other training programs, but its 3-year theatre degree has become a COVID casualty.
This month’s production of ‘A Raisin in the Sun’ has been postponed to spring, and a Broadway-bound staging of ‘Destiny of Desire’ has been cancelled.
The Broadway stage manager recounts how her company conceived and staged a new concert version of the popular show in the face of COVID cancellations.
This moment has pushed us past even our most prescient preparations for crisis and challenge, but we can face it together.
Poised between a troubled but familiar past and the uncertain promise of a transformed future, is it any wonder we’re having trouble with the next act of our lives?