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Booze, Bard, Union Card: Drunk Shakespeare Troupes Get Organized

A spark that started in Chicago has caught fire around the country, as both staff and performers for Drunk Shakespeare join Actors’ Equity.

Struggling to draw funding and audiences while aiming for the goal of livable wages, companies like 20-year-old BoHo Theatre are making an exit.

A dramaturg by nature, Slight hopes to build on Raven’s commissions and its commitment to its local community.

AT’s new Chicago editors check in on happenings at theatres large and small: openings, closings, notable folks, and assorted chisme.

With her playwriting debut, the Steppenwolf ensemble member explores what happens after most stories end.

From board liaisons and theatre administrators to performers and activists, these 6 folks have brought their talent to Chicago’s stages.

After 37 years at the helm of Chicago Shakespeare Theater, Gaines has found the right time to step away from the company she founded.