Broadway May Be Back, But Who Is It For?
The proliferation of plays by Black creators on the Great White Way is cause for celebration, even as it raises some familiar questions about risk and representation.
The proliferation of plays by Black creators on the Great White Way is cause for celebration, even as it raises some familiar questions about risk and representation.
2 new documentaries look at Broadway as it was, while a third gives us a glimpse of our possible post-COVID future.
She was a producer with a fan’s love for stage magic, a taste for the big gamble, and the best dish in town.
The actor and educator talks about the reasons for their departure from Broadway’s ‘Moulin Rouge!’ and about the theatre field they’d like to help build.
It’s not just the workers who need the stage to come back—all of us crave the communion only the theatre can provide.
From the ‘West Side Story’ tour to television to work with George C. Wolfe, this performer/choreographer has followed each next step where it led.
A close friend and a fellow performer remember her disarming presence, humor, and determination.
The writer behind ‘Mame,’ ‘La Cage aux Folles,’ and ‘Hello, Dolly!’ wasn’t just a genius—he was a mensch.
Taking my father, a Parkinson’s patient and stroke survivor, to the current Broadway revival was a challenge, but well worth it.
Among the legendary producer/director’s many gifts was an unflinching faith in his work, which was infectious if not imitable.