Nothing But Time: When ‘Godot’ Came to San Quentin
How the Actor’s Workshop’s storied 1957 performance set the stage for collaborations between correctional facilities and U.S. theatres.
How the Actor’s Workshop’s storied 1957 performance set the stage for collaborations between correctional facilities and U.S. theatres.
The nonagenarian actor explains how his willingness to answer a phone and his inability to drive led him to some happy accidents.
How she turned the constraints of Beckett’s buried-alive heroine Winnie into expressive assets.
In a brief but spirited correspondence with producer Norman Lear, the playwright weighed an original comedy about clerks in a dead-letter office.
What a mystery it is that these tiny and ever-shrinking dramacules—these death rattles—can bring so much life to the theatre.
Also: New books by and about Beckett.