Company First and Last: SITI Takes Its Final Bow
The tight-knit troupe, whose unique training has been at least as influential as its form-bending work, ends its 30-year run in a typically unlikely way: with a take on ‘A Christmas Carol.’
The tight-knit troupe, whose unique training has been at least as influential as its form-bending work, ends its 30-year run in a typically unlikely way: with a take on ‘A Christmas Carol.’
This week the topic is how personal experiences inform criticism, as the critics touch on ‘Mac Beth’ at Hunter Theater Project, ‘Gun and Powder’ at Signature Theatre, and ‘Medea’ at BAM
From a lighting designer/electrician in Texas to a costumer in Chicago, here are some folks you should have on your radar.
A new book looks at Ivo van Hove’s thoroughgoing process, which is as much about distillation as direction.
Isaac Butler, Darcy James Argue, and Peter Nigrini conspire to create a musical/theatrical collage at the junction of paranoia, misinformation, and a Big Band jazz beat.
The subscription model is dead; long live the subscription model.
The latest from all over the U.S.
Y2K meets the fin-de-siecle at BAM’s Next Wave.
Who’s depriving American audiences of the great foreign-language theatre of the world?
In Wilson’s gigantic vision of ‘CIVIL warS,’ the conflict extends from classes and races to species and sexes, and even beyond, to the cosmic.