Jeremy Tiang: Translation and Transformation
An interview with the playwright of ‘Salesman之死,’ about Arthur Miller’s collaboration with Chinese theatremakers on the premiere of his signature play in Beijing in 1983.
An interview with the playwright of ‘Salesman之死,’ about Arthur Miller’s collaboration with Chinese theatremakers on the premiere of his signature play in Beijing in 1983.
February recalls the comedic duo Williams and Walker, a Gertrude Stein opera, a ‘Death of a Salesman’ debut, and more.
Yangtze Rep’s new production looks behind the scenes, and under the layers, of Arthur Miller’s Beijing staging of ‘Death of a Salesman.’
John Lahr’s new biography recounts the story of a playwright who met his historical moment like few before or since, then struggled for a second act.
In riffing on works by Arthur Miller and Lorraine Hansberry, 3 new plays by Kimberly Belflower, Kelundra Smith, and Eleanor Burgess alternately explore and explode what was missing from the originals.
The companies behind new productions of ‘Salesman之死’ and ‘Catch as Catch Can’ reflect on what was lost and what’s to come.
Choice notes from an extraordinary theatregoing career, documenting trends and artists of the late 20th-century stage.
Schooled by Stella Adler in his profession’s highest ideals, he’ll get another chance to live up to them in Arthur Miller’s ‘The Price.’
Known for their work on screen, these two stage pros are in their element in ‘The Father’ and ‘The Crucible.’
He may be known for writing about fathers and sons, but his women often get the last word.