The Santorini Experiment
How philosophy ended its ancient quarrel with theatre.
How philosophy ended its ancient quarrel with theatre.
For actors, voice training and new discoveries in neuroscience can help bridge the disconnect between mind and body.
In an interview, voice-work innovator Catherine Fitzmaurice prescribes a holistic regimen of freedom, release, and transcendence.
In an interview, Cicely Berry reveals how working on the sound and rhythm in Shakespeare can lead actors to the language within themselves.
The French designer Jean-Guy Lecat ponders the living intricacies of space, design and performance.
In the designer-centered laboratory of director Dmitry Krymov, young Russian students are taken on as active collaborators.
A chorus of voices celebrates the legacy of the annual stage design portfolio review at Lincoln Center.
The Lincoln Center bids adieu to a 19-year tradition.
‘Interactivity’ has become something of a theatrical buzzword as of late, but what does it actually mean?
Gail Scott White lays out a crash-course for students of new-media scenography.