Let’s Be Realistic: Can Theatre Beat Film at Recreating Life?
The native language of theatre is artifice, but as Annie Baker’s ‘John’ proves, it doesn’t always feel that way.
The native language of theatre is artifice, but as Annie Baker’s ‘John’ proves, it doesn’t always feel that way.
Baker will have a development retreat in the former house of Willem de Kooning.
Also on tap are new works by A.R. Gurney and Naomi Wallace, a Martha Clarke collaboration with Alfred Uhry, and a return of the popular n’Old Hats.’
The Chicago company’s 40th season features a world premiere by Tracy Letts and a new adaptation of John Steinbeck’s ‘East of Eden.’
Annie Baker’s disorienting experience with a digital showing of ‘Fanny and Alexander’ fueled her play ‘The Flick.’ IFC has invited her back for a 35mm screening and a chat.
The close of every season brings on awards fever in theatre communities, urban and not-so-urban, across the country. Here’s a glimpse of some of the accolades bestowed in five theatre-rich locales.
The awards and prizes that have been given out since our last issue.
The awards and prizes that have been given out since our last issue.
His themes and characters get upended by female artists with fresh insights into plays we thought we knew.
The New York director balances classics and new plays, in big venues and small, while stripping away the safety net.