Get Smart, Hold Tight
Theatres are deftly negotiating the bumps and curves of an economy in flux. Theatre Facts 2011 tracks their progress.
Theatres are deftly negotiating the bumps and curves of an economy in flux. Theatre Facts 2011 tracks their progress.
Calling all dramaturgs, one-time dramaturgs, would-be dramaturgs! What production in the coming season have you heard about that you wish you were working on as a dramaturg? What is it about this show that afflicts you with dramaturgical envy?
TCG’s Theatre Facts 2001 tracks the field’s course through troubled waters
Turning Marley’s face into a doorknob is just Problem No. 1 for ‘Carol’ adaptors.
Rounding out their first year since graduation, members of ART’s class of 1995 find reading and spirituality at the center of their new lives as actors.
Stage manager Mark Wright reflects on his work with the master playwright-director.
On the occasion of a rare American premiere, the playwright talks candidly about his new play, his long exile from Broadway, his public vs. private life.
From the Goodman to Oregon Shakes, from new works in New Haven to the Hong Kong Arts Festival.