What We Owe the Dead
A poet/playwright reflects on the disturbing, arresting lessons of the Greek plays she’s wrestled with for much of her career.
All Stories About Aeschylus
Theatre During Wartime: Everything Is Different (Again)
This ain’t no party, this ain’t no disco, this ain’t no fooling around.
Imagining the Greeks
The world’s oldest plays continue in our time to be staged, restaged, mulled over, written about. What accounts for their enduring fascination?
