Matter Over Mind: How Actors Learn to Embody Ideas (and Animate Bodies)
All stage performers must strike a balance between ‘head’ work and physical theatre, but the main trick may be not to see them as separate.
All Stories About acting training
15 After 20, Part 2: Actors Move Onto New Stages, Some of Them Theatrical
In the final installment of this follow-up with the Harvard acting class of 1995, former colleagues find meaning on and off the stage, together and apart.
Balancing Acts
Anne Bogart and Kristin Linklater debate the current trends in American actor-training.
