Rerouting the Casting Pipeline
Greater diversity onstage is only going to happen when theatre’s hidden gatekeepers are more diverse too.
Greater diversity onstage is only going to happen when theatre’s hidden gatekeepers are more diverse too.
Too often, comfort with culturally inappropriate casting starts in educational settings—precisely the places these practices should be interrogated.
Four Black dramaturgs who worked on Geva’s new audio-play festival talk about their work and their hopes for the field.
With apprenticeships on hold, the inequities of the model face fresh scrutiny.
As the trauma of George Floyd’s killing and the specter of COVID entered my home and my work, I was reminded what my country is—and still could be.
How to rebuild the theatre field post-COVID? Invest in artists and let them do their best work in rep, and audiences will follow.
Diversifying programming and leadership won’t be enough if our boards remain white and privileged.
One sign of a shift in traditionally Eurocentric theatre training practices: ‘Black Acting Methods’ was the best-selling theatre book this past summer.
How TGNC production and stage managers are leading the field by example.
As a casting director, I’ve been in a unique position to advocate for TGNC actors—and for myself.