APPROACHES TO THEATRE TRAINING: ART FOR WHOSE SAKE
The State of Cornerstone’s Art
With California: The Tempest, the pioneering community-focused company is showcasing its influential methodology, as well the institute it’s created to teach it to others
By David C. Nichols
To Do or To Teach? Is That Even a Question?
Teaching artists across the country make a passionate case for arts education
By Sarah Taylor Ellis
14 Theatrical Ploys That Aim To Change the World
Meet a cadre of artists and companies who put social, political and civic causes at the forefront
By Mark Blankenship and Stephanie Coen
DEPARTMENTS
Letters
From the Executive Director
The Excellence Quotient
TCG on the Web
News in Brief
The last days of Chicago’s Next Theatre
National directing fellowship launched by O’Neill Center, Kennedy Center, NNPN and SDC Foundation
Minneapolis’s Southern Theater tries an all-you-can-see membership model
Pittsburgh’s August Wilson Center back on track
Entrances and Exits
Awards and Prizes
In Memoriam
Marian Seldes by Laura Linney
Front and Center
The Talking Band’s The Golden Toad
WorldKin Ensemble’s Dirty Talk
Diner at Signature Theater
Handicap This! at Stage 773
Bailiwick Chicago’s Princess Mary Demands Your Attention
San Diego REP’s Steal Heaven
Production Notebook
101 Dalmations at Imagination Stage
People
Seema Sueko has big plans for Pasadena, by Lisa Fung
Currents
The many faces of a theatre’s lobby, by Russell M. Dembin
Rob Weinert-Kendt on L.A.’s 99-seat dilemma
Steven Leigh Morris visits Encuentro 2014
Alexis Greene covers theatres that fight abuse of women
Diep Tran investigates how theatres compensate writers
Books
Michael Bloom reviews books on the Alexander technique
Antecedents
How Colette found her identity as a writer
Strategies
Can the Advance Project bring more women to U.K. stages?
Global Spotlight
An interview with P.S. 122’s Vallejo Ganter, by Eliza Bent
20 Questions
for Bridget Everett