Tangled Up in Blue
Political trepidation translates to unfocused theatre at Humana Festival.
Political trepidation translates to unfocused theatre at Humana Festival.
Identity and cultural authenticity are dramatic fodder for William S. Yellow Robe Jr.
An interview with Melissa James Gibson about her play ‘Brooklyn Bridge.’
An interview with Richard Foreman about his play ‘The Gods Are Pounding My Head!’
African-American masculinity–and black womanhood–are examined in August Wilson’s oeuvre.
Actors are subject to both the pleasures of imitation and the rigors of an exalted calling—an excerpt from “Letters to a Young Actor.”
The playwright’s nephew tried to capture acting’s transcendent dimensions—an excerpt from ‘The Other Chkehov: A Biography of Michael Chekhov.’
Ground zero is the actor’s own life and cultural experiences—a conversation with Douglas Turner Ward.
A round-table conversation between six actors who teach, including F. Murray Abraham, Gary Sinise, and Fiona Shaw.
So you want to be an actor? The first step is figuring out why in the world you’d do such a thing.