Worlds Apart
It was when I embraced my ethnicity that I became the playwright I am.
It was when I embraced my ethnicity that I became the playwright I am.
A chorus of voices proposes crucial goals for the American theatre—and suggests some creative ways of getting there.
It all started innocently enough.
From a brew of doubt, hope and mystery, a playwright conjures the theatre of the future.
Peering over the edge at the Humana Festival.
An interview with Robert Brustein and Frank Rich.
Pushing ‘Master Builder’ over the expressionistic edge.
Renegade energy and sophisticated technique are the marks of Printer’s Devil.
The World Cup meets the collapse Western civilization.
Why is it, playwright Tina Howe wonders out loud before an audience of women, that men can write with knuckles bared but women have to pull their punches?