A Quest for the Original Voice
A renowned voice teacher advocates feeling, not intellect, to activate the creative visionary within.
The Naked Voice
Free the voice and release the body, Patsy Rodenburg says, so you can express yourself fully with truth and authenticity.
The Santorini Experiment
How philosophy ended its ancient quarrel with theatre.
The Importance of Daydreaming
For actors, voice training and new discoveries in neuroscience can help bridge the disconnect between mind and body.
Tremor into Action
In an interview, voice-work innovator Catherine Fitzmaurice prescribes a holistic regimen of freedom, release, and transcendence.
The Body in the Voice
In an interview, Cicely Berry reveals how working on the sound and rhythm in Shakespeare can lead actors to the language within themselves.
Pillars of Voice Work
Senior editor Randy Gener voices his thoughts on the contents of the Jan. 2010 issue’s Approaches to Theatre Training special section.
Broadway in Black and White
Post-racial? Not on the Great White Way.
Ivo van Hove Has a Passion for Extremes
Words and images clash in the notorious dramatic installations of the Belgian director and his frequent collaborator, lighting and stage designer Jan Versweyveld.
Not There Yet
What will it take to achieve equality for women in the theatre?
