Questions for Kevin O’Donnell
The Chicago sound designer/composer talks about the Hypocrites, and about a new folk musical with a jazz flavor.
The Chicago sound designer/composer talks about the Hypocrites, and about a new folk musical with a jazz flavor.
A note from American Theatre’s editor, Jim O’Quinn, on the April 2013 issue.
The actress finds her own method (no, not that Method) of burrowing into a character.
Will Eno shares an elliptical e-mail conversation with fellow playwright about his play.
Forget jukebox shows and rock stars; the American musical looks and sounds more like a jam session between indie bands and theatre artists.
A grueling photo shoot puts actors’ training to the test.
This month, executive director Teresa Eyring discusses transforming degrees of separation into degrees of connection.
A lion of play analysis summarizes his life’s work in a liberating tome.
Readers wrote in to quibble with or praise our stories about entrepreneurship, nudity, and selling tickets.
The 150 featured plays, by scribes ranging from Emily Mann to Will Eno, represent a stirring spectrum of dramatic voices.