Open Call: A Year in the Lives of 15 Actors, Part 3
Rounding out their first year since graduation, members of ART’s class of 1995 find reading and spirituality at the center of their new lives as actors.
Rounding out their first year since graduation, members of ART’s class of 1995 find reading and spirituality at the center of their new lives as actors.
Now graduated and out working as actors, members of ART’s class of 1995 find themselves walking the fine line between personal choice and professional serendipity.
An ART graduating class hits the pavement of NYC.
What a viewing of 3 different productions of Paula Vogel’s second-generation AIDS play reveals about its essence and possibilities.
The dire state of the nation’s economy has affected every aspect of nonprofit theatres’ operations, leaving them with few choices but to retrench and recalibrate.
As the planet burns, what can art do that activism can’t? Perhaps, as the work of 3 path-breaking companies attests, that’s a false choice. Plus: a to-do list for green theatre, and sketches toward an eco-canon.
Spolin and Sills Laid Down The Rules. The Generations Who Came After Played by Them. That’s How Chicago Invented Itself.
Critic and company man, he has built an audience for adventurous work and an institute to train for it.
With some tough battles behind him in Providence, Adrian Hall is back on the theatrical frontlines in Dallas.
There’s no mystery to making a musical, declares the theatre’s most acclaimed composer. It’s just hard work.