Broadway League Names 2023 Award Recipients
The League Awards recognize exemplary service to the touring Broadway industry.
How Does the WGA Strike Affect the Theatre? Ask Playwrights
The stakes are high for dramatists used to making most of their income writing for film and TV.
Kwame Kwei-Armah Named MTC Artistic Advisor
He will remain in his role as artistic director of the Young Vic in London while advising on MTC’s programming and future planning.
Peninsula Players Names 2023 Scholarship Recipient
Graduating senior Hunter Malvitz, who will receive a $500 scholarship, plans to attend UW-Eau Claire this fall to pursue a BMEd in music education with a choral emphasis.
Theatrical Mustang: Amber Scales on Activism and Acting
This month Woodzick talks to the Southern storyteller and social impact strategist about the clear parallels between making theatre and making a difference.
Jerry Zaks to Lead 10 Lunt-Fontanne Fellows at Ten Chimneys
The Tony-winning director will lead a week-long intensive for veteran actors Demetria Joyce Bailey, Anthony Fusco, Blake Hackler, Elizabeth Heflin, Bob Hess, Michael Manuel, Sandra Marquez, Zuhairah McGill, Lawrence Redmond, and Jomar Tagatac.
Will Davis at Rattlestick: An Artistic Homecoming
What would take a busy freelance director off the road? The chance to gather and serve communities—especially those who’ve been under-served.
‘Kimberly Akimbo’ Gives Grants to Fund High School Musicals
The first round of Great Adventure Grants for student theatre productions have gone to Denzel Washington School of the Arts, High Tech High School, and Pan American International High School.
The Tank Announces PrideFest Programming
The lineup includes new work by Emily Aviles, Ella Baldwin, Júlia Cerqueira, Scout Davis, Leo Diaz, Emily Drossell, Stephen Dym, Stephen Hill, Aliyah Hunter, Kenneth Keng, Adin Lenahan, Dauris Martinez, Brandon Monokian, Ashley Lauren Rogers, Jordan Rutter-Corvato, and Ricky Sim.
Pattern Recognition, Reconstructed: The Unlikely Return of Fornés’s ‘Evelyn Brown’
A new revival at La MaMa of the playwright’s opaque verbatim play from 1980 gives a fresh window into her unique formal and thematic ambitions.
