Boston’s Theatre Offensive Returns To Its Roots
Eliza Bent on Theatre Offensive’s relevance makeover.
How Playwright Herbert Fritsch Turns German History into Comedy
David Savran chats with German comic surrealist Herbert Fritsch.
Book Review: Sarah Ruhl’s ‘100 Essays I Don’t Have Time To Write’
Michael Bloom reviews two new books by Sarah Ruhl
20 Questions With Jinkx Monsoon
Jinkx Monsoon talks up “The Vaudevillians” at Seattle Rep.
20 Questions With Brooke Adams
American Theatre sat down with Brooke Adams to discuss her upcoming performance of Beckett’s “Happy Days” at Theatre @ Boston Court in Pasadena.
Believers Vs. Believers in Lucas Hnath’s ‘The Christians’
A new play about a doctrinal controversy at one megachurch cracks open conversations about difficult emotions.
Poland Embraces Women Directors
AT’s own Eliza Bent travelled to Poland to discover how more and more women are running theatre their way.
How One Theatre Utilizes Social Groups To Energize The House
Clubbed Thumb in New York City uses “social captains” to get targeted audiences to come to shows.
Tennessee Williams’s Anticlimax
John Lahr’s new biography, ‘Mad Pilgrimage of the Flesh,’ sheds an admiring but unflinching light on the playwright’s career and later works, as well as his life and relationships.
The Seagull Project Takes Chekhov To Tashkent
Gavin Reub, a founder of the Seagull Project in Seattle, describes the company’s experiences when they took their theatre to Uzbekistan.
