Marissa Wolf Leaves Crowded Fire for New Post at Kansas City Rep
After six seasons at the helm, Wolf leaves the San Francisco-based company having doubled its budget and stepped up its new-play commitments.
After six seasons at the helm, Wolf leaves the San Francisco-based company having doubled its budget and stepped up its new-play commitments.
A small North Texas theatre dedicated to African-American voices heads into its 35th year with new leadership and a diverse audience.
The downtown playwright/theatremaker talks about the traps she lays for herself—and for her audiences.
The 136-seat theatre in Pawtucket taps an Off-Broadway veteran to replace David M. Wax.
After 12 years as artistic director of Seattle’s second biggest LORT theatre, Beattie will hand the reins to director John Langs.
The late British author revolutionized children’s literature with his twisted tales, and they’re flourishing anew onstage. What is it about Dahl’s world that seems to suit our own?
Theatre Facts 2013 shows companies are taking smart steps to regain their economic footing after the Great Recession.
It’s not a one-deal-fits-all world anymore, either for theatregoers or theatres.
You’ve raised money to build and staff your theatre—but without cash reserves, you’re just one disaster away from, well, disaster.
In a new installation/show in the Guthrie Theater’s Dowling Studio, artifacts of today become archeological curiosities.