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Gender Parity the English Way
How one small London theatre has rallied the big ones to recognize and address the gender gap on U.K. stages.
How one small London theatre has rallied the big ones to recognize and address the gender gap on U.K. stages.
Some theatres are finding ways to coach audiences into the world of the play before the curtain ever goes up.
Aaron Holland’s new musical expands a minor character from ‘War and Peace’ into an inspiration for a full-blown musical about a modern-day daydreamer.
No one sets out to do average work in the theatre, but to do anything exceptionally well requires prioritizing—and some balls are going to drop.
There’s a lot more in this issue than our special section on training for social activism.
It’s the New Year’s Eve edition of Offscript! We look at the big theatre headlines of 2014, as well as the shows that we loved.
In ‘Steal Heaven’ at San Diego REP, Herbert Siguenza imagines what ’60s icon Abbie Hoffman would think of our iPhone-and-drone age.
The Minneapolis presenter tries a membership model for offerings by its 15 resident companies. Netflix for the theatre, anyone?
Twelve-hour Greek plays, white face, drag queens, gender parity…the contributors and editors of “American Theatre” reminisce on what they loved most in the theatre in 2014.
A few holiday leftovers linger, but the New Year ushers in both sobering drama and fairy-tale whimsy, musical excursions and comic dances with death.