Taylor Mac and Temporary Distortion: In for the Duration
Four- to six-hour performances seem to be proliferating at this year’s Under the Radar and COIL festivals. Why do artists—and audiences—want to go long?
Four- to six-hour performances seem to be proliferating at this year’s Under the Radar and COIL festivals. Why do artists—and audiences—want to go long?
Following its auspicious and acclaimed debut, the troupe’s singing-and-signing take on the Duncan Sheik/Steven Sater tuner will get a spring reawakening.
The NY-based company will develop new works by Brooke Berman, Kenny Finkle and Kate Moira Ryan.
The Baltimore theatre teams with the Spanish embassy to fund development of a bilingual play by the Madrid-based writer.
The Los Angeles ensemble’s 2015 season will include works from resident playwrights Liz Shannon, Adam Hahn and Nathan Wellman.
Fighting for freedom of expression in high school theatres can be a complicated cause, but it’s clearly a fight that matters for all theatre artists.
Playwrights superimpose ancient myths over contemporary concerns, in a theatrical alchemy that makes the old seem new again—and the new seem timeless.
With an emphasis on local talent and on presenting a range of classics—including all by its namesake playwright—Cincy Shakes has built both its repertoire and its reputation.
The oldest theatre in America will present ‘High Society,’ ‘Sister Act,’ ‘Harvey’ and ‘Peter and the Starcatcher’ next season.
2015 kicks off with (mostly) affairs of the heart, both strange and intimate, on canvases big and small, in tones both light and dark.