Virtual Reality, Real Vices in ‘The Nether’
Jennifer Haley’s unsettling play, a hit in L.A. and London now on its way to New York, both dramatizes and questions our immersion in technology.
Jennifer Haley’s unsettling play, a hit in L.A. and London now on its way to New York, both dramatizes and questions our immersion in technology.
Rachel Chavkin returns to direct Wohl’s ‘Small Mouth Sounds,’ the musical ‘Futurity’ will have its New York premiere in a Soho Rep coproduction, and more resident artists are announced.
The new 51% Preparedness Plan calls for SoCal theatres to lead the national charge toward greater diversity onstage, backstage and in the house.
This week’s characters onstage include kings, princes, heiresses and saints, as well as composers, actors, explorers—and some everyday folks.
This year, dozens of shows in a few weeks pushed boundaries and pointed in invigorating new directions for performance and performers.
Ecuadorian theatre broke away from European conventions in the 1960s. Today’s artists are still venturing outside the theatre walls to engage audiences directly.
The Connecticut musical theatre company will premiere four new musicals in its 2015 season.
Joseph has won the 2015 Laurents/Hatcher Foundation Award for his play ‘Guards at the Taj.’
The co-creator of the mad pirates of “Jollyship” is writing plays for people now, but he’s still unleashing comic chaos.
The Chicago-based director will work as an associate at the theatre under its Michael Maggio directing fellowship program for early career directors.