From the Executive: Getting Beyond Your Borders
We have much to learn—and some things to teach, as well—in our global collaborations.
We have much to learn—and some things to teach, as well—in our global collaborations.
Let ‘American Theatre”s editor in chief introduce you to our May/June International issue.
Towering beanstalks, powerful baseballs and merry mermaids are all part of the magical season.
Eygptian-American playwright’s characters lower their guard on serious issues after first losing some clothes and inhibitions.
Eric Krebs and Christopher Scott’s new company will stage classics for New York teens, with high production values and multicultural casting.
Six productions, including four regional premieres, explore conflicts over identity and race.
The season includes Christopher Durang, D.L. Coburn and a playwright yet to be announced.
Big winners included ‘Hamilton,’ ‘You Got Older’ and ‘The Invisible Hand,’ and a special award went to Signature Theatre’s James Houghton.
George Orwell’s work returns to Steppenwolf, as well as a world-premiere devised performance by Michael Rohd.
Highlights include surrealistic plays, adaptations, puppetry, burlesque and stilt-walking.