
Be Open, Let Go: What I Learned From The 24 Hour Plays
Why a very busy TV writer has regularly joined a group of theatre artists who pull all-nighters to create plays from scratch.
Why a very busy TV writer has regularly joined a group of theatre artists who pull all-nighters to create plays from scratch.
Keen Company’s roving production of Joan Didion’s mourning memoir makes a good fit for Long Wharf’s itinerant programming agenda.
This month Woodzick talks to mutli-hyphenate performer Michael Urie ahead of his return to Broadway in ‘Spamalot.’
How one iconic Chicago theatre photographer captures the ‘now’ not only with his camera but with his whole body and soul.
The founder of Yale Rep and ART had intellect, idealism, and indignation to spare, and he put it all in service of the theatre he wanted to see in the world.
A look at 3 companies of color who are making theatre that’s local, new, and inventive.
How the Boston-area theatre, which recently announced its closure after 4 decades, gave a young critic hope for the art form.
Why so many Broadway-bound tryouts come through here, and why Chicago artists stay committed to the work in spite of the odds.
After 8 years with the Realm, Pereira will become the first Latinx director of the New York Public Library for the Performing Arts.
The new Immigrant Theatermakers Advocates initiative, grown out of programs by 2 New York companies, plans to build community and provide resources for immigrant artists.