Not Always a Punchline: Ryan J. Haddad’s ‘Dark Disabled Stories’
In his latest play, published in full in our Fall print edition, the writer/performer probes implicit ableism and the assumptions we make about people we’ll never really know.
In his latest play, published in full in our Fall print edition, the writer/performer probes implicit ableism and the assumptions we make about people we’ll never really know.
With a wealth of experience in arts administration and branding, Durantt joins her neighborhood theatre ready to help its next stage of growth.
How 6 THRIVE! recipient theatres have embraced new mediums and built new audiences.
This month Woodzick talks to the Bay Area playwright about political disillusionment, the liberation of basic income, and the sacred space of theatre.
The writer of ‘Stereophonic’ talks about his obsessions with detail and destruction, and North Carolina correspondent Lauren Van Hemert fills us in on the Research Triangle theatre scene.
After serving as Woolly Mammoth Theatre’s interim managing director, DeLong now joins a leadership team that includes Mica Cole and PJ Powers.
This month Brian talks to a writer inspired by the music his parents made when he was young, as well as by the diverse biographies and interests of the playwrights he admires.
The N.Y.-based reporter and critic is the second recipient of the award, which isgiven by the American Theatre Critics Association.
The honor, given annually to an alumnus of the foundation’s fellows program, comes with $10,000 support.
The 40-year-old Brooklyn company has spent the year exploring and interweaving major plays of the 20th century, from Glaspell to Williams to Hansberry. Their current show is ‘American Blues.’