Where We Are and Where We’ve Been: ‘Tad in 5th City’
As Chicago’s MPAACT remounts ‘Tad in 5th City,’ which first ran in 2010, its content finds new and continuing resonances within the Chicago community.
As Chicago’s MPAACT remounts ‘Tad in 5th City,’ which first ran in 2010, its content finds new and continuing resonances within the Chicago community.
This episode features a monologue by Nelson Diaz-Marcano, performed by Hiram Delgado, imagining an interview with the great Puerto Rican percussionist and bandleader.
Damon Chua’s new play at Pan Asian Rep retells a portion of a Chinese epic that follows the badass icons Wan and Qing.
Watson comes to Playwrights’ Center from the McCarter Theatre Center.
This month Brian talks to the Minnesota playwright about her Hmong American roots, having cancer in graduate school, and learning to live in the moment.
The longtime playwright for San Francisco Mime Troupe delivered keen, freewheeling, up-to-the-minute satire as progressive as it was populist.
Jonathan Norton’s new play, opening soon in Dallas and Louisville, finds the comedy and pathos in usher board culture.
Mined from the archives of Dana Delany’s social media is a new Goodman thriller from a creative team that includes Jen Silverman, Mike Donahue, and Dane Laffrey.
A small, sturdy theatre with a focus on new work, PURE’s ace in the hole is its adventurous audience, who’ve followed them to various venues over the years.
Nearing its first birthday, the Chicago bookstore stages a show in its space, by a playwright who’s logged some quality writing at the café.