People to Watch: Katie Forgette
With her new play set to open in her hometown, the Seattle playwright discusses how her play engages with Arthur Miller’s work and her dream collaborations.
With her new play set to open in her hometown, the Seattle playwright discusses how her play engages with Arthur Miller’s work and her dream collaborations.
Bookended with plays by Black women writers across the span of a century, this month’s survey includes the founding of an influential political theatre, a path-breaking First Nations narrative, and more.
This month Brian speaks with the Playwrights’ Center core writer and co-artistic director of Minneapolis’s Red Eye about chance encounters and her relationship to future thinking.
There was no physical damage to the theatre building, but the company’s fate feels precarious, and not just due to the hurricane, said artistic director Charlie Flynn-McIver.
A roundup of prizes, fellowships, and other recognitions.
On this episode we broke the news of which plays and playwrights will be the most produced this season. Listen in on a conversation between the editors and some most-produced playwrights on new play development.
2 new volumes by and about a pioneering Appalachian company celebrate decades of work, though they also deserve scrutiny.
An interview with the playwright of ‘Salesman之死,’ about Arthur Miller’s collaboration with Chinese theatremakers on the premiere of his signature play in Beijing in 1983.
A new study measures the city’s artistic success by the more than 4,500 artists employed and over 1,800 productions, exhibitions, and special events programmed each year.
He succeeds outgoing executive director John Martin and joins the company as they begin their 27th season.