Passing the Torch (Without Getting Burned)
In our Winter issue, we look at training that doesn’t simply instruct young artists in the ways of the world but aims to empower them to change it.
In our Winter issue, we look at training that doesn’t simply instruct young artists in the ways of the world but aims to empower them to change it.
High school theatre programs have often been sites of harm, particularly for femme and non-binary kids of color, but some are paving a better path forward.
The company’s current director of finance will go back to the job he occupied from 2008 to 2018.
From an instant connection at a workshop to world premiere productions, the creative duo’s working relationship has continued to blossom over the years.
Woodzick talks to the Denver theatremaker about original-practices Shakespeare, centering queer folks in ‘The Laramie Project,’ and using the classics to prevent violence.
Her musical about the suffragists behind the 19th Amendment comes to Broadway with a few amendments of its own (and with Hillary Clinton as a producer).
Seelig Lamparter will take over from retiring founding artistic director Janet Stanford.
A new Dada-influenced work from this longtime Children’s Theatre Company member explores the intersection of sound and language.
From ‘Proof’ to ‘Behind the Sheet,’ the Sloan Foundation has supported hundreds of plays about science and scientists. What can we learn from this still growing body of work?
Bruner will take over at Idaho Shakespeare Festival, Great Lakes Theater, and Lake Tahoe Shakespeare Festival in 2026.