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The Sticking Place
Why and how Shakespeare Theatre Company took a starry, bloody, transatlantic ‘Macbeth’ to the warehouse.
Why and how Shakespeare Theatre Company took a starry, bloody, transatlantic ‘Macbeth’ to the warehouse.
How this magazine got off the ground, and the ground it’s covered since.
Writers gather at Little Island, and industry folks offer advice on the ups and downs of the business.
The artistic director of the Magic Theatre talks to the playwright of ‘The Travelers,’ the playscript in our Summer print issue, about poetry, process, and possibility.
Carrasco and Huong will receive up to $7,500 each over a one-year period.
How the season’s theatre festivals are faring amid rising costs, fickle audiences, and the warming planet.
The performing arts presenter and producer will be led by an artistic-administrative team that includes Annalisa Dias, Lanxing Fu, Lauren Miller, and Jesse Cameron Alick.
Bart DeLorenzo directs Noël Coward’s original ‘throuple’ play at the Odyssey.
This recording from the TCG conference in Chicago highlights a new AT essay series with panelists Jocelyn Prince, Martine Kei Green-Rogers, PennyMaria Jackson, and Charlique Rolle.
This diverse group of multi-hyphenates are spreading their wings across Houston and beyond.