
No Magic Bullet for the Bottom Line
Theatre audiences and their preferences are changing—are theatres ready to change with them? A Wallace study looks at evolving strategies.
Theatre audiences and their preferences are changing—are theatres ready to change with them? A Wallace study looks at evolving strategies.
This month, Woodzick talks with drag superstar Monét X Change about her solo Life be Lifin’, collaborating on music with BenDeLaCreme, sources of queer joy, and Broadway aspirations.
How new-work development and proactive hiring can solve the problem of near-zero Native representation on U.S. stages.
The challenge of declining attendance also presents an opportunity for theatres to diversify and expand their reach and impact.
Stationed at the center of the production process, stage managers are uniquely positioned to educate, facilitate, and reset expectations.
While finding ways to survive in a system hostile to artmaking, we can also make liberatory practices part of our organizational culture.
A colleague remembers the playwright/director/auteur/founder of NYC’s Ontological-Hysteric Theatre, who died on Jan. 4 at the age of 87.
From Feb. 10-22, the festival will highlight performing arts in the Georgia city, including a staging of ‘A Gentleman’s Guide to Love and Murder.’
An arts administrator whose résumé spans Philly’s experimental ensemble Pig Iron and Canada’s mainstream Theatre Calgary, she’ll succeed Jeremy Blocker at the Off-Broadway powerhouse.
The organization will launch a nationwide search for a successor for Kaminski, who served as artistic director for 7 years.