What Disability Leadership Looks Like
The theatre field is white-dominated, and disabled and D/deaf companies would seem to be no exception—unless we look deeper and think more intersectionally.
The theatre field is white-dominated, and disabled and D/deaf companies would seem to be no exception—unless we look deeper and think more intersectionally.
Now 30 years old, the Americans with Disabilities Act has made historic access achievements for audiences. Now how about access for performers and backstage workers?
Here are some folks to have on your radar, from writers to designers, from choreographers to arts administrators.
Meet the field leaders who helped us ideate and create this package of stories.
Help is on the way, but while there are resources available, no single expert is going to explain or fix it all for you.
The playwright of ‘PrEP Play, or Blue Parachute’ talks about expectations, intimacy, and the Zoom revolution.
Paz Brownrigg, who has been with DePaul since 2008, will step in following the departure of John Culbert.
Geva has commissioned 29 writers to pen works about historical women of Rochester.
Can a culturally appropriative murder mystery in the guise of a cooking class prevent war with Iran? Piehole’s interactive new Zoom play aims to find out.
Simoness, who is also the company’s executive director, will step aside in September, citing the importance of leadership turnover.