Barclay Goldsmith, Nurturer and Warrior
With his passing, we’ve lost a tireless advocate for the talent and potential of others, particularly those on the margins.
With his passing, we’ve lost a tireless advocate for the talent and potential of others, particularly those on the margins.
The resident playwright will succeed artistic producer Sarahbeth Grossman and work alongside executive director Kevin Moriarty.
An interview with the playwright about fast writing, big feelings, mai tais, and Munchkins.
Youth discount tickets aren’t just about filling houses now but about creating lifelong theatregoers and donors.
On this Chicago-themed episode, Rob and J.R. talk to the actor-director duo about staging August Wilson’s solo play, ‘How I Learned What I Learned,’ and check in with arts journalist Mike Davis.
The busy writer was brought on to preserve the essence of the iconic show, while pruning dated language (and adding fresh jokes).
Rogers succeeds former managing director Frank Mack.
From its casting to its staging, the acclaimed new Broadway revival of the iconic rock musical misses opportunities to engage with, and subvert, harmful tropes around Deafness and disability.
A sweet, sane soul who wrote hilarious, deranged, profoundly human plays, he showed us all how to dance on the funny/serious tightrope.
Why and how Amy Herzog and Heidi Schreck took time from writing their own plays to adapt ‘An Enemy of the People’ and ‘Uncle Vanya,’ respectively, for Broadway.