What Does the Closure of ‘Ain’t No Mo’ Mean for the Future of Black Stories?
Jordan E. Cooper’s satire could have had more success if it had kept cultivating audiences as intentionally as it did throughout its early development.
Rebecca Remaly, Stephen Weitz to Leave Butterfly Effect Theatre of Colorado
The co-founding couple will leave at the end of the season.
James Ijames and Lloyd Suh Win 2022 Steinberg Playwright Awards
Both playwrights will receive $100,000, an increased prize amount reflecting the Steinberg Trust’s acknowledgement of tough times facing writers.
Long Wharf, Southern Connecticut State Partner for Internship Program
The partnership will grant paid internship opportunities to SCSU students.
Company First and Last: SITI Takes Its Final Bow
The tight-knit troupe, whose unique training has been at least as influential as its form-bending work, ends its 30-year run in a typically unlikely way: with a take on ‘A Christmas Carol.’
Spectrum Theatre Ensemble’s Choose-Your-Own-Adventure Ethos
This Rhode Island company is both fostering new work by neurodiverse artists and creating new guidelines for the inclusion of neurodiverse audiences.
The Rise and Fall of ‘KPOP’
Why is this groundbreaking Broadway musical closing so soon? The tale of its creation, evolution, marketing, and critical reception offers plenty of clues—and some glimmers of hope.
Moriah Evans and Modesto Flako Jimenez Among 2023-24 Hodder Fellows
The five fellows will create new works at Princeton’s Lewis Center for the Arts.
The ‘Little Theatre’ and Big Personality That Made Justin Tanner a Playwright
Through much of the 1990s, Diana Gibson’s Cast Theatre in Hollywood was Tanner’s personal playhouse, but a new play peeks backstage at the hidden costs of that odd arrangement.
TCG National Conference to Return to Biennial Calendar
To better serve the field in a responsive and responsible way, the arts service org has slated its next National Conference for 2024.
