Hayley Finn Named Theater J Artistic Director
The former Playwrights’ Center associate A.D. will join managing director David Lloyd Olson on the leadership team as of Feb 1.
Everett Quinton: Humble, Hard-Working, Never Less Than Fabulous
Inheriting the Ridiculous Theatrical Company from his lover, Charles Ludlam, Quinton carved his own beloved niche in the theatre pantheon.
Andrew Leynse, Primary Stages’ Encourager-in-Chief
The longtime artistic director and new-play champion had a gentle, calming presence, but he never shied away from tough conversations.
Drama, Onstage and Off, at the Public Theater
A new book documents Oskar Eustis’s regime at the pivotal New York theatre, with its heady mix of idealism, triumph, compromise, and controversy.
Asian American History, Told in Stages
The theatre is one place where the disparate, diverse Asian American experience has found common expression, as a new entry in Routledge’s Milestones series shows.
The Rise and Fall of Arthur Miller
John Lahr’s new biography recounts the story of a playwright who met his historical moment like few before or since, then struggled for a second act.
What Can We Learn From Broadway Musicals?
A new guide to musicals about American history, and a new biography of the crucial figure Oscar Hammerstein II, make new cases for taking the form seriously.
The Theatre of Images: The Early Years
A look back at SoHo in the 1970s, where theatrical experimentation by Meredith Monk, Robert Wilson, Richard Foreman, the Performance Group, and Mabou Mines defined an era.
Taylor Mac, Walt Whitman, and Adhesive America
Cruising Utopia with the Good Gay Poet.
Is the Musical Progressive?
For all its faults, the form (and its fans) can’t help but stand up and sing for the underdog, for the awakened conscience, for moments of joyful liberation.
