
2 Artists at the Top of Their ‘Endgame’
Bill Irwin and John Douglas Thompson, who first bonded in a Public staging of ‘King Lear,’ confront the opacity, playfulness, and unavoidable bleakness of another master, Beckett.
Bill Irwin and John Douglas Thompson, who first bonded in a Public staging of ‘King Lear,’ confront the opacity, playfulness, and unavoidable bleakness of another master, Beckett.
9 theatre artists have been awarded fellowships.
Howard has previously choreographed work at the Goodman.
Alapai will take part in a year-long leadership residency program.
The former Playwrights’ Center associate A.D. will join managing director David Lloyd Olson on the leadership team as of Feb 1.
Inheriting the Ridiculous Theatrical Company from his lover, Charles Ludlam, Quinton carved his own beloved niche in the theatre pantheon.
The longtime artistic director and new-play champion had a gentle, calming presence, but he never shied away from tough conversations.
A new book documents Oskar Eustis’s regime at the pivotal New York theatre, with its heady mix of idealism, triumph, compromise, and controversy.
The theatre is one place where the disparate, diverse Asian American experience has found common expression, as a new entry in Routledge’s Milestones series shows.
John Lahr’s new biography recounts the story of a playwright who met his historical moment like few before or since, then struggled for a second act.