Over the past year, no fewer than 10 shows on both sides of the Atlantic have addressed the historical rise of Nazism and/or the troubling resurfacing of antisemitism.
After a year-long search process, Fadul joins Gillis, who has been serving as interim artistic director since William Carden stepped down last year.
Bill Irwin and John Douglas Thompson, who first bonded in a Public staging of ‘King Lear,’ confront the opacity, playfulness, and unavoidable bleakness of another master, Beckett.
9 theatre artists have been awarded fellowships.
Howard has previously choreographed work at the Goodman.
Alapai will take part in a year-long leadership residency program.
The former Playwrights’ Center associate A.D. will join managing director David Lloyd Olson on the leadership team as of Feb 1.
Inheriting the Ridiculous Theatrical Company from his lover, Charles Ludlam, Quinton carved his own beloved niche in the theatre pantheon.
The longtime artistic director and new-play champion had a gentle, calming presence, but he never shied away from tough conversations.
A new book documents Oskar Eustis’s regime at the pivotal New York theatre, with its heady mix of idealism, triumph, compromise, and controversy.
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