Offscript: How Is This Time for Jews Onstage Different From All Others?
A conversation with Joel Grey, Tovah Feldshuh, Caissie Levy, Michael Arden, and Bess Wohl about portrayals of Jewishness and antisemitism on New York stages.
A conversation with Joel Grey, Tovah Feldshuh, Caissie Levy, Michael Arden, and Bess Wohl about portrayals of Jewishness and antisemitism on New York stages.
Under the slogan ‘It’s About Time,’ AEA members will gather to push for a better deal on Broadway understudies, scheduling, and workplace safety.
Socially engaged performance has a rich history in this country, and it deserves an account as localized and multivocal as its leading practitioners.
As he marks his 20th year in a show now celebrating its 25th Broadway anniversary, Mercer says that enthusiastic audiences—and a certain amount of backstage pranks—are what keep him energized.
For the show’s associate music director/lyric dramaturg, ‘KPOP’ brings together 2 things that are precious to her: the Broadway musical, and contemporary Korean and Korean American culture.
American Theatre’s former senior editor talks about her new editor-in-chief gig, and how she thinks the theatre discourse has changed for the better.
The program will allow for 15 applicants to shadow, observe, or support experienced choreographers and directors during a production process.
JCA Arts Marketing’s study showed declines in seats sold and revenue per performance, driven in part by last year’s omicron surge.
The 5-acre farm in Doylestown, Pa., where Oscar Hammerstein II wrote his epochal musicals is being turned into a museum and education center.
A new production from Houses on the Moon Theater Company explores the untold stories of family members whose loved ones are incarcerated.