
Combing: A Recollection of Working With Adrian Hall
Somehow the late, great director could work on my play—and give it exactly what it needed—even while occupied with countless other thoughts and projects.
Somehow the late, great director could work on my play—and give it exactly what it needed—even while occupied with countless other thoughts and projects.
After 30 years of artistry in the downtown independent theatre community, New Ohio will conclude operations at 154 Christopher Street on Aug. 31.
To mark the bicentennial of Liberia’s founding by formerly enslaved and free Black Americans, a troupe from the Colonial Williamsburg Foundation joined with Liberians to make theatre about it.
The first preview of the acclaimed musical, about the lynching of a falsely accused Jewish American, was picketed by neo-Nazis.
Shelley was formerly the artistic director of the House Theatre of Chicago.
This month Woodzick talks with the writer of ‘Amani’ about Black futures, expansive visions of gender, and how an archivist can be an activist.
New trustees include Jennifer Bielstein, Qween Jean, and Clint Ramos.
Currently an associate artistic director at the theatre, he will succeed Janet Allen as of July 1.
The designer’s friend, colleague, and mentee recalls him as a tirelessly busy, no-fuss genius who cherished real materials and was always ready with a brilliant drawing or model.
The director of the world premiere of ‘Etta and Ella on the Upper West Side’ shares what unlocked this haunting play for him and the creative team.