
Robert Falls: Letting Go of the Goodman
After stepping down from the helm of the Chicago theatre he ran for 36 years, he’s directing—what else?—Chekhov’s ‘The Cherry Orchard.’
After stepping down from the helm of the Chicago theatre he ran for 36 years, he’s directing—what else?—Chekhov’s ‘The Cherry Orchard.’
The dramatists will present a reading with the other 2023 award winners at the Center for Fiction on March 30.
The Playwrights Cohort at PlayPenn and a new digital speaker series are designed to help serve even more writers this year.
The Omaha-based director talks about theatre’s collective brain, doing queer art on Catholic campuses, and how to break through the gender binary in casting.
With her troupe MorDance, Morgan McEwen aims to treat dancers fairly and change the stories ballet tells, both on- and offstage.
2 artists who’ve explored the ways city politics are like theatre wonder: What might theatre learn from city politics?
The agreement comes after 6 days of in-person bargaining and multiple sessions on Zoom.
Artistic director Justin Waldman and managing director Nora Deveau-Rosen have taken over a New Jersey theatre not far from NYC but with strong roots in its community.
They take the honor for the as-yet-unproduced play ‘In the Amazon Warehouse Parking Lot,’ written for cast of 7 women, non-binary, and trans actors over 50.
The Billie has received this award in recognition of 50 years carrying the mantle for Black voices and Black artistic expression in Bedford-Stuyvesant.